The first time I heard Shawna Beesley — known to most as Adaline — play “That’s What You Do Best” was at a piano recital at the Rio Theatre in Vancouver, B.C. The stage was covered in candles and in the center, a baby grand piano and a girl who just loved those black and white keys.
At that point, the song was a sultry, simple, flirtatious theme. I remember the way she introduced the song, laughing into the microphone, bantering playfully with her friends and audience. The song was bare and basic, living only on her deep, throaty vocals, accompanied by the classical twirl of its Spanish melody.
That’s What You Do Best
Now, it’s the lead off Adaline’s sophomore album, Modern Romantics. “That’s What You Do Best” is no longer the simple tune it once was — it’s been worked up to a multi-layered, driving, insane theme of passion, full of chaos and disorder, thrown about by the battered arms of lovers. Like the other songs on the album, there’s the same characteristic voice but it’s now surrounded by the textured and varied layers of skilled production and electronic elements — a sign of Adaline’s audio evoution.
The album due on Nov. 1 has been a long time coming since Adaline’s debut album, Famous For Fire, was released in 2008. Graduating from sweeping ballads to electrifying pop haunts, there’s almost a seasoned playfulness on Adaline’s latest effort that somehow wasn’t there before. But while the songs veer into a strange, unfamiliar, yet comfortable direction, Adaline’s lyrics are still very much the same voice listeners have grown to love.
“That’s what I think I was attracted to from the get-go: Somebody who can write a lyric – which again, I can’t stress enough — is just not common, y’know? People who have an elegance with language,” said Canadian quirk-rock artist Hawksley Workman who, along with Marten Tromm and Tino Zolfo, produced Modern Romantics in Toronto, Canada.
While Adaline’s last album was very much a journey of sorts, her second album is broken down into different pieces of the same puzzle. Famous For Fire, as gorgeous as it was, couldn’t be fully appreciated in just one song. The 2008 release required a full end-to-end listening before the beauty in every detail shone through.
Modern Romantics, however, boasts more immediate satisfaction with each song carrying its own weight. The album definitely lends itself more easily to radio play and while some may critique that quality, it’s something highly sought after in a world full of disposible pop songs. With this latest offering, Adaline’s proven that she’s not just raw talent but that she can also harness that skill into mastering even the trickiest of pop formulas.
For a preview of Adaline’s Modern Romantics, visit her website at www.adalinemusic.com. Be sure to catch Adaline on Saturday, Nov. 5, 2011 at the Biltmore where she’ll be hosting her Vancouver album release party for Modern Romantics. Tickets are $14.74 (includes service fees) and are available on Ticket Web. Trust me. You won’t want to miss this one.
Featured photo by Vanessa Heins; graphic design by Justin Broadbent.
Full Disclosure: I worked as an intern with Adaline for a brief time in 2009. Take this review with a grain of salt — I’m a bit biased since she’s one of my favourite Vancouver (now Toronto) artists.