death cab for cutie

Stephanie’s Top Albums of 2015

I’ll keep this short and brief. Insert here a disclaimer about how this isn’t an exhaustive list and is by no means definitive. It’s just me and my weird taste in music. There’s still plenty of other new music I haven’t even had the chance to sit down and listen to yet. Phew.

These are listed in chronological order by release date but if I’m picking just ONE top album for the year, it’ll be Death Cab For Cutie’s Kintsugi, hands down.

Purity Ring – Another Eternity
Released: Feb. 27, 2015 on 4AD
“Push Pull”

Modest Mouse – Strangers to Ourselves
Released: March 17, 2015 on Epic
“Lampshades on Fire”

Death Cab For Cutie – Kintsugi
Released: March 31, 2015 on Atlantic, Barsuk
“Good Help Is So Hard To Find”

Matt & Kim – New Glow
Released: April 7, 2015 on Fader Label
“Get It”

Muse – Drones
Released: June 5, 2015 on Warner Brothers/Helium-3
“Defector”

Tame Impala – Currents
Released: July 17, 2015 on Modular/Universal/Fiction/Interscope
“The Less I Know The Better”

Atlas Genius – Inanimate Objects
Released: Aug. 28, 2015 on Warner Brothers
“Molecules”

Big Grams (Big Boi + Phantogram) – Self-Titled
Released: Sept. 25, 2015 on Epic
“Fell In The Sun”

Featured Image: Marc Wathieu / Carnaby Records. LINK

Top 10 Songs of 2011

As 2011 draws to a close, it’s hard to resist the allure of year-end lists. Just ask High Fidelity‘s Nick Hornby.

I haven’t devoted much time to music this year since I spent half of it completing my 20-year formal education and the other half starting my first full-time job. However, from what I did manage to absorb, it was the year of dance and pop. Compared to previous lists I’ve compiled, there’s a noticeable lack of artists who play live instruments on their own tracks.

Either way, here’s my  Top 10 Songs of 2011. Of course, this is by no means an exhaustive list or any sort of musical authority; it’s simply what I thought were great singles released this year. These songs are catchy, well-written and I just couldn’t shut them off. Enjoy.

Top 10 Songs of 2011


10. The Joy Formidable – “A Heavy Abacus” | LISTEN
From The Big Roar; Release Date: July 11; Peak Position: #29 on US Alt
It’s been awhile since I’ve heard a band that really commands your full attention. The Joy Formidable is great and I’m sad I missed them when they were in town August 2010 at the Media Club. The UK-based trio has a stadium presence that explodes from within and their aptly titled album, The Big Roar, is full of that huge, reckless sound that the present-day alternative scene often lacks.

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9. Jay-Z & Kanye West – “N*ggas in Paris” | LISTEN
From Watch The ThroneRelease Date: Sept. 13; Peak Position: #5 on US
Jay-Z and Kanye are great artists on their own but when they collaborate, even people not into rap or hip hop will sit up and take notice. It’s like the rap equivalent of superheroes joining forces or a crossover episode of a popular mid-90s TV show. (Forgive my similes.) The best way to explain the allure is by looking at the dialogue included on “N*ggas in Paris” taken from the Will Ferrell film, Blades of Glory:
“I don’t even know what that means!”
“No one knows what it means but it’s provocative. It gets the people going!”

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8. Death Cab For Cutie – “You Are A Tourist” | LISTEN
From Codes and Keys; Release Date: March 29; Peak Position: #1 on US Alt
While there’s been criticism that Ben Gibbard has lost many of the original elements of the signature Death Cab sound, I’d argue that a lot of those elements are still there –just in different, more mature ways. “You Are A Tourist” was also accompanied by a live-streamed, one-take music video directed by Tim Nackashi, who has directed videos with Rye Rye, Maroon 5, OK GO and almost anyone else you can think of. The video used multiple cameras, live performers and no edits. Very cool.

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7. Benny Benassi ft. Gary Go – “Cinema (Skrillex Remix)” | LISTEN
From Electroman; Release Date: March 8; Peak Position: #6 on US Billboard
While dubstep’s become a bit of an inside joke as of late, I think it’s still worthy to note its popularity among EDM fans, both new and old. Skrillex’s dubstep remix of “Cinema” boasts a pretty heavy drop with a great build and it’s easy to see why some think it eclipses the original electro house cut by Benassi. The dubstep version definitely takes the song and turns it into a different beast completely.

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6. Beyonce – “Run the World (Girls)” | LISTEN
From 4; Release Date: April 21; Peak Position: #1 on US Dance/Club
While the song’s framework is built on a sample of Major Lazer’s “Pon De Floor,” it’s really Beyonce’s lyrics that make this song work. Other critics weren’t fans, claiming it was a continuation of the same old themes of “independence” in Beyonce’s other songs such as “Diva” and “Single Ladies.” The difference is that Beyonce really hammers the message home in “Run The World (Girls),” taking prisoners and kicking down doors. “Run the World (Girls)” also lent itself to some great live performances, something that is difficult to do these days. (Skip to 3:00 to see the live performance.) Recognize, yo.

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5. M83 – “Midnight City” | LISTEN
From Hurry Up, We’re Dreaming; Release Date: Aug. 16; Peak Position: #20 on US
M83’s “Midnight City” has been listed by many publication as the best song of 2011. The song, which is synth-pop goodness at its best, feels familiar and yet, draws you into something unknown, as if the Back to the Future trilogy was the inspiration point. The gratuitous saxophone solo, while hilarious and strangely fitting, is admittedly, well, sexy. The haunting vocals add another surreal layer to this nostalgic trip of a song.

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4. Adele – “Rolling in the Deep” | LISTEN
From 21; Release Date: March 8; Peak Position: #1 on Various
There could not be enough praise in the world for Adele’s vocals. On “Rolling in the Deep,” however, she makes sure that you know it. Her vocals are delivered with a careful cutting edge that disguises itself until it’s time to strike. The lyrics are mournful and yet, the chorus’ wail lets her ex-lover know that yes, it hurts like a mother effin’ bitch but that’s just too damn bad, isn’t it? The song’s stomp-clap bridge also sets things up nicely.

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3. Avicii – “Levels” | LISTEN
Release Date: Oct. 28; Peak Position: #1 on US Dance/Club
I know it’s super cliche to say so but Avicii’s “Levels” has taken the world by storm. I’ve only just become familiar with the electronic scene over the last year but I’ve heard enough to know Avicii is doing something crazy good and the club kids all love it. The song has hit #1 on charts across the UK and it won’t be long before Avicii becomes a staple on North American dance charts too.

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2. Foster the People – “Pumped Up Kicks” | LISTEN
From Torches; Release Date: Sept. 14; Peak Position: #1 on US Alt
“Pumped Up Kicks,” which made the rounds online long before Foster the People ever had a record deal in place, is a weird concoction of equal parts laid-back indie-rock, indie-pop and dance. The song’s strange little nuances and sounds — including whistles, warbles and fades —  make it all the more intriguing. Curiously, the lead single is drastically different from their other songs, though the same quirky character is still present.

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1. Robyn – “Call Your Girlfriend” | LISTEN
From Body Talk; Release Date: April 1; Peak Position: #1 on US Dance/Club

You know when girls scream, “This is my jam!” when they’re in the club? Well, this is that song for me and it takes everything in my body to not yell out those exact same words every time this song comes on… and this song comes on a lot. (Mostly because it’s the most played song on my iPod from the past year.)

Robyn’s been making a hot comeback here in North America where most people remember her from the late 90s not-so-one-hit-wonder, “Show Me Love.” But what many don’t realize is that Robyn’s been doing quite well for herself over in Europe. Body Talk, however, has really launched Robyn back into the pop consciousness of North American music fans.

While all the tracks off Body Talk are impeccable and deserve attention, “Call Your Girlfriend” has a maturity not often found in pop music. Lyrically, Robyn is the Other Woman, telling her new boyfriend to break it off gently with his girlfriend. There’s a keen awareness of her position in the tricky situation, while also acknowledging the feelings of her lover and the scorned woman.

The song itself has a buzz, a hum of energy that never lets up. You can hear this in the initial notes where the beat almost feels ahead of the count, pulling the listener forward, driving the tempo with purpose. When the beat picks up about 0:30 seconds in, there’s a definite push that holds firm.

The accompanying music video also played a huge role in the success of the song. The video features Robyn in a warehouse, dancing as lights flash in the background. It’s an example of lights done well as the warehouse transforms from barren walls to a neon storm of colour. Filmed in one continuous take, the video’s unconventional dance routine has Robyn going all out, only a small hint of the energy exuded during live shows.

If 2010 and 2011 were any indication, it looks like Robyn’s got a lot more calls to make in 2012.

Honourable Mentions


Rihanna ft. Calvin Harris – “We Found Love” | LISTEN
From Talk That Talk; Release Date: Sept. 22; Peak Position: #1 on Various
I’m a sucker for a great dance-pop tune so it’s no surprise that “We Found Love” is noted here. The problem is that while Calvin Harris’ production, Rihanna’s vocals and the accompanying music video are very well done, the lyrics themselves do nothing for me. Sometimes, simplistic works but the song’s repetition loses me entirely.

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Kreayshawn – “Gucci Gucci” | LISTEN
Release Date: June 14, Peak Position: #18 on US Rap
While it’s by no means a masterpiece, Kreayshawn’s “Gucci Gucci” has pop cultural references that are all at once hilarious, shocking and quirky. There’s a carefree flow that only a petite white girl from Oakland can pull off. Or maybe I just really like singing along. “Yeah, you can kiss the ring / But you can never touch the crown.” The difficulty is that the entire song rests on these pop culture references; her other songs haven’t reached the same level of success.

Featured Image: A record shop in NYC’s Greenwich Village. Photo by Stephanie Ip.
Screen caps and titles captured and edited by Stephanie Ip.

First Listen: When the sun goes down on your street.

UPDATED: Like many others, I thought this track was a Death Cab For Cutie cut off their upcoming album, Codes and Keys. But! It’s actually a solo Gibbard track. He took to Twitter to clarify:

Hey y’all! Just for the record, “…sun goes down…” is not a dcfc track. It’s a solo and will be in the new “Arthur” film. enjoy!
— Ben Gibbard, @gibbstack

Death Cab for Cutie is one of my all-time favourite bands.

I’m not sure what it is but there’s something melancholy and ethereal about Ben Gibbard’s vocals. Death Cab lyrics are always a little dark, a little haunting and leave you unsure about what it is they’re actually singing about. Either way, Ben Gibbard has a new track online called “When the Sun Goes Down On Your Street” and I am really enjoying it.

A while back, there was a video circulating of Ben performing an new untitled track but the lyrics were about Seattle, from what I could figure. Anyway, that track has a very similar feel to this song. So when I’m back on my computer at home, maybe I’ll post that too when I can find it again. But for now, enjoy. I’ve also transcribed the lyrics too for those of you who are like me and love a well-written verse. (Also thanks to The Peak for posting the track on Soundcloud.)

Ben Gibbard – “When the Sun Goes Down On Your Street”

When the sun goes down, down on your street
Oh, let me be the one you meet
In the lamplight haunt when the night has just begun
Though you fear where shadows fall
There’s nothing there to harm you at all
Uncover your eyes, presume uncertain skies

And rise, arise and step into the night
It’ll be alright

When the sun goes down, down on your street
And you’re feeling strangely incomplete
Oh, please don’t grieve for days that fell like leaves
‘Cause under a moon that hangs from silver strings
We know not what this darkness brings
The stars all gleam with possibility

And rise, arise and step into the night
It’ll be alright

When the sun goes down, down on your street
Oh, let me be the one you meet
For I’ve waited years for you to return to me

So rise, arise and step into the night
So rise, arise and step into the night
So rise, arise and step into the night
It’ll be alright