fashion

Keeping up with Kanye’s new shoes

I’m always fascinated by celebrities and the power with which they can command an audience. Some drive their audiences toward charities that are close to their hearts, others drive their audiences toward their own brands.

Last week, I was sent out to write a story about why people were lining up outside the downtown Vancouver Holt Renfrew. Turns out – Kanye West’s latest collaboration with Adidas was about to be re-released.

I don’t know about you but I think the most I’ve ever spent on a pair of shoes was $120 and those were well-made boots that have lasted me two years and counting. I’m not sure I could bring myself to pay $225 for a pair of shoes designed by a celebrity, no matter how much I admired them.

No one man should have all that power, right?

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HBO’s Girls: The Voice of My Generation

“I’m like Tinkerbell, Finn. I need applause to live.”

That’s from an early episode of Glee wherein scene-stealer Rachel Berry explains her love affair with fame. While I’m nowhere near deserving of the attention that Lea Michele’s character receives – mostly because I’m not that talented of a singer – I can partially relate.

Pay Attention

I love attention. I crave it. I thrive on it. Who doesn’t? I’ll be honest in admitting I love talking about myself. But like any love-hate chase, I only want attention when it’s not there. When it’s being freely awarded to me, I get weirdly uncomfortable with being in the spotlight. So maybe that’s why I’ve become so attached to the new HBO series Girls. The first season’s finale aired Sunday and let me tell you… it’s a gooder.

Girls Just Want…

Before the NYC-based series premiered, I’d been really excited, having read some of the praise Lena Dunham had received for her previous work. Of course, the idea of a show that focuses on my demographic – 20-something not-quite-grown women trying to deal with post-collegiate life – appealed to my narcissistic side. It’s nice though, y’know, being scrutinized and yet, not having to really deal with any criticism.

Deal With It

Here’s a show that puts me and my friends in the spotlight but without forcing me to own up to my own stupid decisions and mistakes of being in my 20s. Dunham’s show draws from the personal experience of her own life and those around her and yes, while she lives in New York and that is drastically different from my life here in Vancouver, the human experience is still very much the same.

I face paralysing self-doubt whenever my work or writing is put on display. I struggle with my body image, embracing my ‘real’ curves but also wondering what it would take to lose a few pounds. The idea of allowing ourselves the love we think we deserve is also a constant theme. While I’m busy yelling at Hannah for allowing Adam to treat her as horribly as he does, I’m ignoring my own advice by continually being hung up on my own past relationships.


Taking A Cue

The show isn’t about me but I can relate to Dunham’s quirky quartet of heroines. I understand how it might not be attractive to admit that and no, not everyone can connect with the show’s seemingly far-fetched storylines but there’s an element of reality that rings true.

Sure, it might just be the selfish, self-involved side of me that loves Girls, but maybe watching the show religiously – and reading Vulture’s commentary on it – will finally make me realize how many unresolved issues I’ve avoided in my own life. Maybe when Hannah finally sorts out her life, I’ll take my cue and be inspired enough to deal with mine.

I Can Relate

In honour of my obsession with Girls, here are some of my favourite moments from the show’s first season. Be prepared to get to know me a little bit better. (I’m not entirely sure if that’s a good or bad either either…)

1. “I invented him.”
Let me tell you, Hannah. I know what you mean. I have definitely been there. I am probably still there.

2. “You are just naturally interesting.”
I have to remind myself all the time that I’m probably not as boring as I think I am.

3. “I just had this crazy realization…”
I won’t elaborate but… Shosh, I feel you, girl.

4. “You’re wearing a white dress.”
While I’ve never been sent home to change, I have been told that I am very bad at dressing appropriately for work. Sigh.

5. “Are you punking me?”
I never really know how to deal with attention either – see above post, obviously.

Photo Credit: Google Images.

First Look: Adaline’s “The Noise”

It’s time to admit it. Success in the music industry isn’t always based on talent — a large part also depends on image. Hell, sometimes even image alone can make you, talented or not.

Adaline, however, has plenty of both. The artist, born Shawna Beesley, has more than enough talent to go around. Her live performances and presence overflow with a cool sort of confidence, stylish and hip but not pretentious and overbearing. It’s the perfect storm and a music label’s dream.

This comes across clearly in Adaline’s new music video for “The Noise”, the latest single off her sophomore album, Modern Romantics. The storyline of the video, while a bit abstract, speaks to the context of relationships and looks at the environments where we foster emotional connection. In a city filled with noise and the buzzing of society, where’s the romance?

Of note is director JP Poliquin, who also directed Adaline’s last music video for “Whiter/Straighter.” Poliquin does a great job with “The Noise” and it’s clear he’s a director to follow in the future.

Adaline, “The Noise”
From Modern Romantics (2011)

Adaline – “The Noise”, Modern Romantics (2011)
Director:  JP Poliquin; Production Company:  The Field
Executive Producer:  Cherie Sinclair; Producer:  Jason Aita
DOP:  Todd Williams; Editor:  JP Poliquin
Choreography:  Sidney Leeder
Dancers:  Sidney Leeder, Monica Calzaretto, Milda Gecaite, Katherine Rakus, Randi MacQueen
Male Lead:  Ted Puglia
Hair and Makeup:  Luisa Duran; Stylist:  Muska Zurmati
Label:  Light Organ Records

Feature photo and screen captures by Stephanie Ip.